"Bernstein: Candide, Act I, Scene 3: Aria. "Glitter and be gay" (Cunégonde)" by Leonard Bernstein, Diana Damrau, Dan Ettinger, Munich Radio Orchestra was released on November 2, 2009. Since Bernstein: Candide, Act I, Scene 3: Aria. "Glitter and be gay" (Cunégonde) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 12 in COLORaturaS by Diana Damrau, Dan Ettinger, Munich Radio Orchestra. In terms of popularity, Bernstein: Candide, Act I, Scene 3: Aria. "Glitter and be gay" (Cunégonde) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bernstein: Candide, Act I, Scene 3: Aria. "Glitter and be gay" (Cunégonde) by Leonard Bernstein, Diana Damrau, Dan Ettinger, Munich Radio Orchestra is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass / II. First Introit (Rondo): I. Prefatory Prayers - Live | Leonard Bernstein, Meredith Lustig, Julia Burrows, Morgan James, Douglas Butler, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, The American Boychoir, Temple University Diamond Marching Band, Student Musicians from the School District of Philadelphia | G Minor | 3 | 6A | 107 BPM | ||
Un moto di gioia mi sento, K.579 | Wolfgang Amadeus Mozart, Edita Gruberova, Vienna Chamber Orchestra, György Fischer | D Major | 2 | 10B | 130 BPM | ||
Donizetti: Anna Bolena, Act 2: "Al dolce guidami" (Anna, Chorus) | Gaetano Donizetti, Diana Damrau, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 0 | 7B | 73 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Clos ta paupière | Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Don Pasquale / Act I: Bella siccome un angelo | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | D♭ Major | 1 | 3B | 74 BPM |
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