"Les Danaïdes / Act 2 / Scene 2: Par les larmes dont votre fille" by Antonio Salieri, Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon was released on January 1, 2011. The duration of Les Danaïdes / Act 2 / Scene 2: Par les larmes dont votre fille is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Les Danaïdes / Act 2 / Scene 2: Par les larmes dont votre fille's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon's "Mozart's Garden" album is number 2 out of 18. Les Danaïdes / Act 2 / Scene 2: Par les larmes dont votre fille is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Danaïdes / Act 2 / Scene 2: Par les larmes dont votre fille by Antonio Salieri, Mojca Erdmann, La Cetra Barockorchester Basel, Andrea Marcon to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Serenade for Wind in D minor, Op.44: 1. Moderato, quasi marcia | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | F Major | 1 | 7B | 104 BPM | ||
Armida, Atto Secondo Scena 4: Soccorso, o Dei! (Armida, Rinaldo) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Lenneke Ruiten, Florie Valiquette | G Major | 3 | 9B | 80 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM |
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