Arthur Sullivan, Elsie Morison/Jeannette Sinclair/Marjorie Thomas/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra made "Sullivan: The Mikado or The Town of Titipu, Act 1: No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)" available on 1957. With Sullivan: The Mikado or The Town of Titipu, Act 1: No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Sullivan - The Mikado". In this album, this song's track order is #11. In terms of popularity, Sullivan: The Mikado or The Town of Titipu, Act 1: No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sullivan: The Mikado or The Town of Titipu, Act 1: No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls) by Arthur Sullivan, Elsie Morison/Jeannette Sinclair/Marjorie Thomas/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Otello, Act 2: "Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | F Major | 4 | 7B | 140 BPM | ||
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Puccini: Turandot, Act 3: "Diecimila anni al nostro Imperatore!" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 86 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Transcendental Symphony Part IV. Finale 3 'Hymn of Universe' | Taipei New Dynasty Philharmonic & Chorus, Stella Chang, Angelo Marenzi, Vittorio Wu Bai | A Major | 1 | 11B | 109 BPM | ||
Poème d'amour: No. 3, Ouvre tes yeux bleus | Jules Massenet, Jessica Pratt, Vincenzo Scalera | G Major | 1 | 9B | 79 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Die Zauberflöte, K. 620, Act I Scene 1: Der Vogelfänger bin ich ja (Papageno) | Wolfgang Amadeus Mozart, Olaf Bär, London Philharmonic Orchestra, Franz Welser-Möst | G Major | 1 | 9B | 147 BPM | ||
2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM |
Section: 0.8632180690765381
End: 0.8699278831481934