"Overture, Scherzo and Finale in E Major, Op. 52: I. Overture" by Munich Philharmonic Orchestra, Marc Andreae was released on August 15, 2013. Overture, Scherzo and Finale in E Major, Op. 52: I. Overture is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Schumann: Symphony in G minor "Zwickau"". In this album, this song's track order is #3. Based on our statistics, Overture, Scherzo and Finale in E Major, Op. 52: I. Overture's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture, Scherzo and Finale in E Major, Op. 52: I. Overture by Munich Philharmonic Orchestra, Marc Andreae having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | E Major | 1 | 12B | 91 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Im Mai - Live | Dreiviertelblut, Munich Philharmonic Orchestra | C Minor | 6 | 5A | 108 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 3. Allegretto grazioso - Molto vivace | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E♭ Major | 2 | 5B | 145 BPM | ||
Light Cavalry: Overture | Franz von Suppé, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 64 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Die Wahrheit - Live | Dreiviertelblut, Munich Philharmonic Orchestra | D Major | 7 | 10B | 94 BPM | ||
Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 7: Aria: Alles kann Schönheit erreichen (Cleopatra) | George Frideric Handel, Lucia Popp, Munich Philharmonic Orchestra, Ferdinand Leitner | A Major | 1 | 11B | 99 BPM |
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