LENGTH
4:06
RELEASE DATE
January 27, 2014
TIME SIGNATURE
4
LOUDNESS
-13.736 dB
POPULARITY
Audio information that is featured on John is Quite a Guy by David Arnold, Michael Price.
Acousticness
Energy
Liveness
Speechiness
Danceability
Instrumentalness
Loudness
Valence
Find songs that harmonically matches to John is Quite a Guy by David Arnold, Michael Price. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fastest Man Alive (Always Late) | Blake Neely | A Major | 3 | 11B | 129 | ||
End Titles - The Theme That Got Left in the Car | David Arnold | A Major | 8 | 11B | 168 | ||
Earth Mark II | Joby Talbot | A Major | 2 | 11B | 109 | ||
Wonder Woman's Wrath | Rupert Gregson-Williams | A Major | 6 | 11B | 158 | ||
Escape From East Berlin | Daniel Pemberton | A Major | 9 | 11B | 113 | ||
Strobe / Flying Home (From "Kick-Ass") | London Music Works | A Major | 5 | 11B | 142 | ||
How It Was Done | David Arnold, Michael Price | A Major | 8 | 11B | 144 | ||
The Long Song | Murray Gold | A Major | 5 | 11B | 120 | ||
Cap's Promise | Henry Jackman | A Major | 3 | 11B | 78 | ||
Good Omens Opening Title | David Arnold | A Major | 4 | 11B | 168 | ||
God Rest His Soul | David Arnold, Michael Price | A Major | 4 | 11B | 114 |
This song is track #7 in Sherlock: Music from Series 3 (Original Television Soundtrack) by David Arnold, Michael Price, which has a total of 23 tracks. The duration of this track is 4:06 and was released on January 27, 2014. As of now, this track is currently not as popular as other songs out there. John is Quite a Guy doesn't provide as much energy as other songs but, this track can still be danceable to some people.
John is Quite a Guy has a BPM of 104. Since this track has a tempo of 104, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.
The key of John is Quite a Guy is A Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.