Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio
Tomaso Albinoni, Paul Dombrecht, Il Fondamento
Albinoni: Concerti con Oboe
2:22 May 7, 2009
BPM
103
Key
F♯ Minor
Camelot
11A

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Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio - Tomaso Albinoni, Paul Dombrecht, Il Fondamento Information

Acousticness
69%
Danceability
16%
Energy
20%
Instrumentalness
88%
Liveness
27%
Loudness
75%
Speechiness
4%
Valence
9%
Popularity
Loudness
-14.796 dB

Summary

"Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio" by Tomaso Albinoni, Paul Dombrecht, Il Fondamento was released on May 7, 2009. The duration of Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 24 in Albinoni: Concerti con Oboe by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio BPM

The tempo marking of Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio by Tomaso Albinoni, Paul Dombrecht, Il Fondamento is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Concerto No. 3, Op. 7: Concerto a cinque No. 3, Op. 7: II. Adagio Key

This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

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ISRC
BER180855402
Label
L-M Records/RCA Records

Section: 0.6836094856262207

End: 0.6876823902130127