- BPM
- 92
- Key
- D♭ Minor
- Camelot
- 12A
Vocalise, Op. 34 No. 14 - Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta Information
- Acousticness
- 99%
- Danceability
- 33%
- Energy
- 3%
- Instrumentalness
- 93%
- Liveness
- 8%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -23.261 dB
Summary
"Vocalise, Op. 34 No. 14" by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta was released on October 21, 2016. Since Vocalise, Op. 34 No. 14 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 14 in Earl Wild: The Complete Transcriptions & Original Piano Works, Vol. 2 by Sergei Rachmaninoff, Earl Wild, Giovanni Doria Miglietta. In terms of popularity, Vocalise, Op. 34 No. 14 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vocalise, Op. 34 No. 14 BPM
The tempo marking of Vocalise, Op. 34 No. 14 by Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Vocalise, Op. 34 No. 14 Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Petrouchka - Three Movements for Piano (1921) / Scene 1: IV. Russian Dance | Igor Stravinsky, Yuja Wang | A Minor | 3 | 8A | 118 BPM | |
 | Rhapsody in G Minor, Op. 79, No. 2 | Johannes Brahms, Martha Argerich | E♭ Major | 0 | 5B | 71 BPM | |
 | Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | |
 | Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | |
 | 4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | |
 | 15 Improvisations, FP 176: No. 15 in C Minor, "Hommage à Edith Piaf" | Francis Poulenc, Lucille Chung | C Minor | 1 | 5A | 57 BPM | |
 | 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | |
 | Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | |
 | 4 Impromptus, Op.90, D.899: No.2 in E flat: Allegro | Franz Schubert, Krystian Zimerman | E Minor | 1 | 9A | 67 BPM | |
 | Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9266414642333984
End: 0.9299874305725098