- BPM
- 86
- Key
- E Minor
- Camelot
- 9A
Macbeth: Tre Volte Miagola La Gatta In Fregola/Che Faceste? Dite Su! - Vienna State Opera Chorus, Vienna Volksoper Orchestra Information
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 32%
- Instrumentalness
- 5%
- Liveness
- 19%
- Loudness
- 77%
- Speechiness
- 5%
- Valence
- 14%
- Popularity
- 1%
- Loudness
- -14.007 dB
Summary
"Macbeth: Tre Volte Miagola La Gatta In Fregola/Che Faceste? Dite Su!" by Vienna State Opera Chorus, Vienna Volksoper Orchestra was released on November 26, 2001. The duration of Macbeth: Tre Volte Miagola La Gatta In Fregola/Che Faceste? Dite Su! is about 3 minutes long, at 3:17. Based on our data, "Macbeth: Tre Volte Miagola La Gatta In Fregola/Che Faceste? Dite Su!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 20 in Die Schönsten Opernchöre Vol. 2 by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner. Macbeth: Tre Volte Miagola La Gatta In Fregola/Che Faceste? Dite Su! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Macbeth: Tre Volte Miagola La Gatta In Fregola/Che Faceste? Dite Su! BPM
The tempo marking of Macbeth: Tre Volte Miagola La Gatta In Fregola/Che Faceste? Dite Su! by Vienna State Opera Chorus, Vienna Volksoper Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Macbeth: Tre Volte Miagola La Gatta In Fregola/Che Faceste? Dite Su! Key
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Te Deum, Op. 103, B. 176: 4. Dignare Domine | Antonín Dvořák, Kateřina Kněžíková, Svatopluk Sem, Prague Philharmonic Choir, Czech Philharmonic, Jakub Hrůša | D Major | 3 | 10B | 98 BPM | |
 | Die Zauberflöte: Zweiter Akt - In diesen heil'gen Hallen | Vienna State Opera Chorus, Wiener Philharmoniker, Fritz Wunderlich, Lieselotte Folser | E Major | 5 | 12B | 93 BPM | |
 | Turandot: Act I: Silenzio, ola! Laggiu chi parla? (The Handmaids) | Giacomo Puccini, Giuseppe Di Stefano, Nicola Zaccaria, Kostas Paskalis, Ermanno Lorenzi, Murray Dickie, Vienna State Opera Chorus, Wiener Philharmoniker, Francesco Molinari-Pradelli | E♭ Major | 6 | 5B | 65 BPM | |
 | Mozart: Requiem in D Minor, K. 626: I. Introitus | Nikolaus Harnoncourt, Vienna State Opera Chorus, Rachel Yakar | D Minor | 1 | 7A | 93 BPM | |
 | Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | F Minor | 0 | 4A | 169 BPM | |
 | Romeo and Juliette, Act I: L'heure s'envole | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | |
 | Don Carlos, Act III: Act III Scene 2: Mio Carlo, a te la spada io rendo (Philip, Carlo, Lerma, Eboli, Inquisitor, Chorus) | Giuseppe Verdi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Ruggero Raimondi, José Carreras, Matti Salminen, Agnes Baltsa, Ewald Aichberger, Herbert von Karajan | D♭ Minor | 4 | 12A | 137 BPM | |
 | Un ballo in maschera, Act I: Act I Scene 2: Su profetssa, monta il trepie - Di' tu se fidele (Dehorn, Ribbing, Oscar, Gustavo, Chorus) | Giuseppe Verdi, Franco de Grandis, Goran Simic, Magda Nádor, Luciano Pavarotti, Vienna State Opera Chorus, Vienna State Opera Orchestra, Claudio Abbado | A♭ Major | 2 | 4B | 169 BPM | |
 | Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | |
 | Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten | Gottfried von Einem, Max Lorenz, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8435485363006592
End: 0.8476560115814209