Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München's 'La traviata / Act I: "Dell'invito trascorsa è già l'ora"' came out on January 1, 1977. With this song being about 5 minutes long, at 4:34, "La traviata / Act I: "Dell'invito trascorsa è già l'ora"" by Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La Traviata by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber. The song's track number on the album is #2 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. La traviata / Act I: "Dell'invito trascorsa è già l'ora" is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La traviata / Act I: "Dell'invito trascorsa è già l'ora" by Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act I: "Dell'invito trascorsa è già l'ora" being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act I: "Follie! Delirio vano è questo!... Sempre libera" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 117 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM | ||
Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | D♭ Major | 2 | 3B | 60 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Serse, HWV 40, Act I Scene 13: Aria. Sapra delle mie offese (Amastre) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Rigoletto, Act IV: Bella figlia dell'amore | Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Fiorenza Cossotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 105 BPM | ||
Die Fledermaus / Act II: Polka "Unter Donner und Blitz", Op. 324 | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 7 | 9B | 89 BPM | ||
Béatrice et Bénédict / Act 1: Je vais le voir | Hector Berlioz, Ileana Cotrubas, Orchestre de Paris, Daniel Barenboim | A Major | 2 | 11B | 104 BPM |
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