Ethel Merman, London Festival Orchestra, The London Festival Chorus, Stanley Black made "I Got Rhythm" available on March 1, 1972. The duration of I Got Rhythm is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. I Got Rhythm's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Merman Sings Merman" album is number 2 out of 12. I Got Rhythm is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of I Got Rhythm by Ethel Merman, London Festival Orchestra, The London Festival Chorus, Stanley Black to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No.2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
So Am I | George Gershwin, Ira Gershwin | A Major | 0 | 11B | 108 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. for Cello & Piano) | Gabriel Fauré, Andreas Brantelid, Bengt Forsberg | E Major | 0 | 12B | 95 BPM | ||
Ave Maria, CG 89a | Johann Sebastian Bach, Charles Gounod, Ludmila Peterková, Irina Kondratenko | C Major | 0 | 8B | 133 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, François-Frédéric Guy | A♭ Major | 0 | 4B | 170 BPM | ||
Prélude à l’après-midi d’un faune | Claude Debussy, Philippe Bernold, Ariane Jacob, Gérard Caussé, Isabelle Moretti | B Major | 0 | 1B | 70 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Canzonetta in E-Flat Major, Op. 19 | Gabriel Pierné, Ludmila Peterková, Irina Kondratenko | E♭ Major | 1 | 5B | 69 BPM |
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