- BPM
- 89
- Key
- F♯ Major
- Camelot
- 2B
Violin Concerto (1984): 3. Romance without Words: Hardly moving - Ned Rorem, Gidon Kremer, New York Philharmonic, Leonard Bernstein Information
- Acousticness
- 94%
- Danceability
- 21%
- Energy
- 7%
- Instrumentalness
- 82%
- Liveness
- 15%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -27.775 dB
Summary
"Violin Concerto (1984): 3. Romance without Words: Hardly moving" by Ned Rorem, Gidon Kremer, New York Philharmonic, Leonard Bernstein was released on January 1, 1979. The duration of Violin Concerto (1984): 3. Romance without Words: Hardly moving is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Violin Concerto (1984): 3. Romance without Words: Hardly moving's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gidon Kremer, Wiener Philharmoniker, New York Philharmonic, Israel Philharmonic Orchestra, Christoph von Dohnányi, Leonard Bernstein's "Glass: Violin Concerto / Rorem: Violin Concerto (1984) / Bernstein: Serenade After Plato's "Symposium" (1954) For Solo Violin, String Orchestra, Harp And Percussion" album is number 6 out of 14. Violin Concerto (1984): 3. Romance without Words: Hardly moving is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Violin Concerto (1984): 3. Romance without Words: Hardly moving BPM
We consider the tempo marking of Violin Concerto (1984): 3. Romance without Words: Hardly moving by Ned Rorem, Gidon Kremer, New York Philharmonic, Leonard Bernstein to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
Violin Concerto (1984): 3. Romance without Words: Hardly moving Key
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | |
 | Sicilienne, Op. 78 for Cello and Piano | Gabriel Fauré, Anastasia Kobekina, Vincent Boccadoro | D♭ Major | 2 | 3B | 130 BPM | |
 | Cage: Prelude for Meditation | John Cage, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | Whispers of Wisdom | Jonathan Walker | A Major | 1 | 11B | 125 BPM | |
 | Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): IV. Variation. Andantino | César Franck, Jean-Pierre Armengaud | B Minor | 0 | 10A | 65 BPM | |
 | Poem I | Gillian Pereira, Sally Greenaway | G Major | 2 | 9B | 79 BPM | |
 | L'Art de varier, Op. 57: Variation 35 | Antoine Reicha, Ivan Ilic | F Major | 2 | 7B | 114 BPM | |
 | Rhapsodie | Marcel Grandjany, Judy Loman | F Minor | 1 | 4A | 96 BPM | |
 | Someone to Watch Over Me (Arr. Firth for Piano) - From "Oh Kay!" | George Gershwin, Jean-Yves Thibaudet | C Major | 2 | 8B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8274745941162109
End: 0.8319904804229736