"Der Tod und das Mädchen, Op. 7 No. 3, D. 531 (Arr. X. van Dijk for String Quartet)" by Franz Schubert, Signum Quartet was released on December 4, 2020. The duration of Der Tod und das Mädchen, Op. 7 No. 3, D. 531 (Arr. X. van Dijk for String Quartet) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Der Tod und das Mädchen, Op. 7 No. 3, D. 531 (Arr. X. van Dijk for String Quartet)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Schubert: Famous Pieces". In this album, this song's track order is #1. Der Tod und das Mädchen, Op. 7 No. 3, D. 531 (Arr. X. van Dijk for String Quartet) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Tod und das Mädchen, Op. 7 No. 3, D. 531 (Arr. X. van Dijk for String Quartet) by Franz Schubert, Signum Quartet having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Kreisleriana, Op. 16: No. 4, Sehr langsam | Robert Schumann, Hélène Grimaud | B♭ Major | 0 | 6B | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Deux poèmes, Op. 32: I. Andante cantabile | Alexander Scriabin, Daniil Trifonov | F♯ Major | 0 | 2B | 100 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Pärt: Darf ich... | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | F♯ Minor | 2 | 11A | 71 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Saint-Saëns: Violin Sonata No. 1 in D Minor, Op. 75: II. Allegro molto | Camille Saint-Saëns, Renaud Capuçon, Bertrand Chamayou | B♭ Major | 0 | 6B | 118 BPM | ||
Marietta's Lied | Erich Wolfgang Korngold, Yo-Yo Ma, Kathryn Stott | B♭ Major | 0 | 6B | 78 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM |
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