Nicolaus Esterhazy Sinfonia's 'Symphony No. 1 in C major, Op. 21: III. Menuetto: Allegro molto e vivace' came out on March 19, 1996. With this song being about 5 minutes long, at 4:34, "Symphony No. 1 in C major, Op. 21: III. Menuetto: Allegro molto e vivace" by Nicolaus Esterhazy Sinfonia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 9 in Beethoven: Symphonies Nos. 1 and 6 by Nicolaus Esterhazy Sinfonia. Based on our statistics, Symphony No. 1 in C major, Op. 21: III. Menuetto: Allegro molto e vivace's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 1 in C major, Op. 21: III. Menuetto: Allegro molto e vivace by Nicolaus Esterhazy Sinfonia is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 71 BPM | ||
Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto | Ferdinand Ries, Maria Littauer, Hamburg Symphony Orchestra, Alois Springer | D Major | 0 | 10B | 70 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": 1. Lebhaft | Robert Schumann, Berliner Philharmoniker, James Levine | D♭ Minor | 1 | 12A | 130 BPM | ||
Symphony in G Minor, Op. 22 No. 3, P. I:5: III. Presto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 2 | 9B | 121 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | G Major | 0 | 9B | 139 BPM | ||
Concertstück in F Major, Op. 86: I. Lebhaft | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | F Major | 1 | 7B | 140 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Mass No. 11 in D Minor, Hob.XXII:11, "Nelsonmesse", "Imperial Mass", "Coronation Mass": Gloria: Gloria in excelsis Deo | Joseph Haydn, Viktoria Loukianetz, Gabriele Sima, Kurt Azesberger, Robert Holzer, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Béla Drahos | D Major | 2 | 10B | 122 BPM | ||
Der Fischer und das Milchmädchen: XVII. Vivace | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |
Section: 0.6600010395050049
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