Friedrich Schorr, Göta Ljungberg, London Symphony Orchestra made "Gut`n Abend, Meister (Die Meistersinger von Nürnberg)" available on August 19, 2006. Since Gut`n Abend, Meister (Die Meistersinger von Nürnberg) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 14 out of 24. In terms of popularity, Gut`n Abend, Meister (Die Meistersinger von Nürnberg) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Gut`n Abend, Meister (Die Meistersinger von Nürnberg) by Friedrich Schorr, Göta Ljungberg, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leb´ wohl, du kühnes, herrliches Kind (Die Walküre) | Friedrich Schorr, Orchester Der Staatsoper Berlin | E Major | 2 | 12B | 60 BPM | ||
Nun zäume dein Ross, reisige Maid (Die Walküre) | Frida Leider, Friedrich Schorr, Orchester Der Staatsoper Berlin | C Major | 4 | 8B | 98 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227, Act III: Ist ein Traum (Sophie, Octavian) | Richard Strauss, Lotte Lehmann, Emanuel List, Friedrich Schorr, Dorothee Manski, Karl Laufkotter, Nicholas Massue, Doris Doe, Norman Cordon, Arnold Gabor, Erich Witte, Risë Stevens, New York Metropolitan Opera Chorus, New York Metropolitan Opera Orchestra, Artur Bodanzky | D Major | 0 | 10B | 81 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Siegfried: Scene 2: Zeih hin! Ich kann dich nicht halten! | Richard Wagner, Kirsten Flagstad, Eduard Habich, Karl Laufkotter, Lauritz Melchior, Friedrich Schorr, Kerstin Thorborg, Metropolitan Opera Orchestra, Artur Bodanzky | G Major | 3 | 9B | 75 BPM | ||
H.M.S. Pinafore / Act 1: A British tar | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, George Cook, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 2 | 12B | 120 BPM | ||
Die Walküre, WWV 86b, IRW 52, Act I: "Wes Herd dies auch sei" (Siegmund, Sieglinde) | Richard Wagner, Metropolitan Opera Orchestra, Erich Leinsdorf, Lauritz Melchior, Marjorie Lawrence | B Minor | 0 | 10A | 109 BPM | ||
Mendelssohn: Elias, Op. 70, MWV A25, Pt. 1: No. 14, Arie. "Herr Gott Abrahams, Isaaks und Israels" | Felix Mendelssohn, Friedrich Schorr, Sir John Barbirolli, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Die Walküre: Der Augen leuchtendes Paar, | Richard Wagner, Metropolitan Opera Orchestra, Erich Leinsdorf, Friedrich Schorr | A♭ Major | 1 | 4B | 79 BPM | ||
Im Abendrot | Friedrich Schorr | F Major | 1 | 7B | 95 BPM |
Section: 0.798919677734375
End: 0.8039991855621338