"Mozart: Vesperae solennes de confessore, K. 339 - V. Laudate Dominum - Live" by Wolfgang Amadeus Mozart, Rachel Harnisch, Kay Johannsen, Berliner Philharmoniker, Claudio Abbado, Schwedischer Rundfunkchor was released on November 20, 2023. With this song being about 5 minutes long, at 4:30, "Mozart: Vesperae solennes de confessore, K. 339 - V. Laudate Dominum - Live" by Wolfgang Amadeus Mozart, Rachel Harnisch, Kay Johannsen, Berliner Philharmoniker, Claudio Abbado, Schwedischer Rundfunkchor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 82 in Classical Music: Christmas by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mozart: Vesperae solennes de confessore, K. 339 - V. Laudate Dominum - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mozart: Vesperae solennes de confessore, K. 339 - V. Laudate Dominum - Live by Wolfgang Amadeus Mozart, Rachel Harnisch, Kay Johannsen, Berliner Philharmoniker, Claudio Abbado, Schwedischer Rundfunkchor is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
|Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto||Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen||D Major||3||10B||112 BPM|
|Prelude & Fughetta in G Major, BWV 902: I. Prelude||Johann Sebastian Bach, Víkingur Ólafsson||D Major||3||10B||101 BPM|
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|Recollections of Paganini, WoO 8, S190: IV. Campanella||Johann Nepomuk Hummel, Madoka Inui||A Minor||1||8A||138 BPM|
|Schön Rosmarin||Fritz Kreisler, Joshua Bell, Paul Coker||G Major||1||9B||107 BPM|
|Requiem In D Minor, K. 626: Sequence: II. Tuba Mirum||Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Vladimir Ruso, Jaroslava Horska, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Wolfgang Amadeus Mozart||F Major||0||7B||94 BPM|
|Mozart: String Quartet No. 19 in C Major, Op. 10 No. 6, K. 465 "Dissonance": II. Andante cantabile||Wolfgang Amadeus Mozart, Quatuor Ébène||F Major||1||7B||85 BPM|
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|Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina||Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont||C Major||3||8B||112 BPM|
|Kinderszenen, Op.15: 4. Bittendes Kind||Robert Schumann, Martha Argerich||D Major||0||10B||113 BPM|