- BPM
- 79
- Key
- E♭ Major
- Camelot
- 5B
FINALE FROM 1812 OVERTURE IN E-FLAT MAJOR, OP. 49 - Dallas Symphony Orchestra Information
- Acousticness
- 89%
- Danceability
- 26%
- Energy
- 37%
- Instrumentalness
- 77%
- Liveness
- 7%
- Loudness
- 65%
- Speechiness
- 9%
- Valence
- 7%
- Popularity
- 5%
- Loudness
- -20.811 dB
Summary
"FINALE FROM 1812 OVERTURE IN E-FLAT MAJOR, OP. 49" by Dallas Symphony Orchestra was released on February 15, 1994. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 58 in CLASSICAL MUSIC FOR PEOPLE WHO HATE CLASSICAL MUSIC 4-CD SET by Various Artists. FINALE FROM 1812 OVERTURE IN E-FLAT MAJOR, OP. 49 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
FINALE FROM 1812 OVERTURE IN E-FLAT MAJOR, OP. 49 BPM
The tempo marking of FINALE FROM 1812 OVERTURE IN E-FLAT MAJOR, OP. 49 by Dallas Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
FINALE FROM 1812 OVERTURE IN E-FLAT MAJOR, OP. 49 Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 5, Op. 107, "Reformation": IV. Andante con moto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | D Major | 0 | 10B | 119 BPM | |
 | Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | |
 | Fanfare for the Common Man | Aaron Copland, Dallas Symphony Orchestra, Donald Johanos | G Minor | 1 | 6A | 102 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 63 BPM | |
| Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | |
 | Suite No. 4 in G Major, Op. 61, "Mozartiana": I. Gigue | Pyotr Ilyich Tchaikovsky, Andrés Cárdenes, Dallas Symphony Orchestra, Jaap Van Zweden | G Major | 0 | 9B | 85 BPM | |
 | Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | |
 | Como en las Grandes Citas | Asklepios | A Minor | 4 | 8A | 90 BPM | |
 | Escales: Tunis - Nefta | Jacques Ibert, Dallas Symphony Orchestra, Eduardo Mata | A Major | 0 | 11B | 103 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.933537483215332
End: 0.9383256435394287