"Sonata for Flute, Viola and Harp, L. 137: 2. Interlude" by Claude Debussy, Wolfgang Schulz, Wolfram Christ, Margit-Anna Süß was released on July 30, 2022. Sonata for Flute, Viola and Harp, L. 137: 2. Interlude is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 29 out of 161 in BBQ Night with Debussy by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Sonata for Flute, Viola and Harp, L. 137: 2. Interlude is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Flute, Viola and Harp, L. 137: 2. Interlude by Claude Debussy, Wolfgang Schulz, Wolfram Christ, Margit-Anna Süß is Prestissimo (even faster than presto), since this song has a tempo of 237 BPM. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | ||
2 Arabesques: Arabesque No. 1 | Claude Debussy, François-Joël Thiollier | F♯ Minor | 0 | 11A | 67 BPM |
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