"War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace" by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra was released on May 8, 2012. With War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. In terms of popularity, War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Pieces For Clarinet And Piano, Op. 5: 1. Mässig | Alban Berg, Sabine Meyer, Oleg Maisenberg | C Minor | 0 | 5A | 81 BPM | ||
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | F♯ Minor | 0 | 11A | 97 BPM | ||
War Requiem, Op. 66 / Agnus Dei: 5. One ever Hangs Where Shelled Roads Part | Benjamin Britten, Sir Peter Pears, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra | G Major | 0 | 9B | 81 BPM | ||
Violin Concerto in D Minor, Op. 15: I. Moderato con moto | Benjamin Britten, Lorraine McAslan, English Chamber Orchestra, Steuart Bedford | D Major | 2 | 10B | 101 BPM | ||
German Requiem, Op. 45: Wie lieblich sind deine Wohnungen | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, Valery Gergiev | E♭ Major | 1 | 5B | 80 BPM | ||
String Quartet No. 1, Sz. 40: I. Lento | Béla Bartók, Heath Quartet | D♭ Major | 2 | 3B | 133 BPM | ||
Requiem in D Minor, K. 626: No 4, Sequence - Rex Tremendae | Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra | G Minor | 1 | 6A | 91 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. Final Scene from Goethe's Faust. "Alles Vergängliche", Pt. 1 | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus, Birgit Remmert, Christine Brewer, David Wilson-Johnson, Jane Henschel, John Relyea, Jon Villars, Juliane Banse, Soile Isokoski, Toronto Children's Choir | E♭ Major | 0 | 5B | 131 BPM | ||
Carmina Burana: VIII. Chramer, gip die varwa mir | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 146 BPM |
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