On January 1, 1995, the song "Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba"" was released by George Frideric Handel, The English Concert, Trevor Pinnock. The duration of Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" is about 3 minutes long, at 3:08. Based on our data, "Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Michael Laird, Christian Rutherford, Anthony Halstead, The English Concert, Trevor Pinnock's "Handel: Music for the Royal Fireworks" album is number 11 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" by George Frideric Handel, The English Concert, Trevor Pinnock to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM | ||
Trio Sonata for Flute, Violin and Continuo in B minor, Op.2, No. 1, HWV 386b: 4. Allegro | George Frideric Handel, Lisa Beznosiuk, Simon Standage, Anthony Pleeth, Trevor Pinnock | B♭ Minor | 1 | 3A | 97 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Flute Sonata in G Major, Op. 1, No. 5, HWV 363b: IV. Bourree (arr. for violin and piano) | Anonymous, George Frideric Handel, Takako Nishizaki, Terence Dennis | G Major | 2 | 9B | 127 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM |
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