"Camelot: Before I Gaze at You Again" by Arleen Auger was released on January 1, 2000. The duration of Camelot: Before I Gaze at You Again is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Camelot: Before I Gaze at You Again's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 38 in Auger, Arleen: Arias by Arleen Auger. Camelot: Before I Gaze at You Again is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Camelot: Before I Gaze at You Again by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Offertorium. Prélude religieux | Gioachino Rossini, Christophe Henry, Orchestre de chambre de Paris, Ottavio Dantone | D♭ Major | 0 | 3B | 89 BPM | ||
Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie | B♭ Minor | 1 | 3A | 81 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Introitus et Kyrie | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 1 | 5A | 92 BPM | ||
Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Robert Shaw, Atlanta Symphony Orchestra, Arleen Auger | G Major | 2 | 9B | 86 BPM | ||
Il matrimonio segreto / Act 1: Signora sorellina, ch'io le rammenti | Domenico Cimarosa, Julia Varady, Arleen Auger, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | E♭ Major | 2 | 5B | 84 BPM | ||
Vivaldi: Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | E Minor | 3 | 9A | 88 BPM | ||
Il matrimonio segreto / Act 1: Le faccio un inchino | Domenico Cimarosa, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | G Major | 2 | 9B | 95 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Oberon, J.306 / Act 2: "Sieh, die Meermädchen!...O wie wogt es sich schön" | Carl Maria von Weber, Marga Schiml, Arleen Auger, Bavarian Radio Symphony Orchestra, Rafael Kubelík | G Major | 2 | 9B | 86 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
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