On February 1, 2000, the song "Paganini: 24 Caprices, Op. 1: No. 2 in B Minor" was released by Niccolò Paganini, Itzhak Perlman. The duration of Paganini: 24 Caprices, Op. 1: No. 2 in B Minor is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Paganini: 24 Caprices, Op. 1: No. 2 in B Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Paganini: 24 Caprices, Op. 1: No. 2 in B Minor is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Paganini: 24 Caprices, Op. 1: No. 2 in B Minor by Niccolò Paganini, Itzhak Perlman having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | ||
Malagueña, op.165 No.3 | Itzhak Perlman, Samuel Sanders | G Major | 1 | 9B | 89 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Valse sentimentale, Op. 51, No. 6 | Pyotr Ilyich Tchaikovsky, Josef Sakonov, London Festival Orchestra | E Minor | 1 | 9A | 97 BPM | ||
Bach, J.S.: Solo Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto | Johann Sebastian Bach, Itzhak Perlman | G Minor | 3 | 6A | 94 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Tzigane, M. 76 (Version for Violin & Orchestra) | Maurice Ravel, Itzhak Perlman, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 90 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |
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