"Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. With this song being about 5 minutes long, at 5:14, "Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: IV. Allegro molto | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 79 BPM | ||
Symphony No.9 In D / 1. Satz: Etwas frischer | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 99 BPM | ||
Intermezzo in modo classico (Version for Orchestra) | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 2 | 9B | 74 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
交響詩「英雄の生涯」作品40 英雄の敵 | ベルリン フィルハーモニー管弦楽団 | F♯ Major | 1 | 2B | 95 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione V: Allegro moderato | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 66 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM |
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