"Symphony in E Major: III. Frisch und lebhaft" by Hans Rott, Norrköping Symphony Orchestra, Leif Segerstam was released on May 31, 1992. Symphony in E Major: III. Frisch und lebhaft appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Rott: Symphony in E Major". In this album, this song's track order is #3. The popularity of Symphony in E Major: III. Frisch und lebhaft is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony in E Major: III. Frisch und lebhaft by Hans Rott, Norrköping Symphony Orchestra, Leif Segerstam having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Geistesgruß | Hans Rott, Günther Groissböck, Malcolm Martineau | E♭ Major | 0 | 5B | 76 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | F♯ Major | 0 | 2B | 46 BPM | ||
Bach - Fantasy and Fugue in C Minor, Op. 86 (after J.S. Bach's BWV 537): Fugue | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 80 BPM | ||
Symphony No. 5 in B-Flat Major, Op. 100: II. Scherzo Allegro marcato | Sergei Prokofiev, Philharmonia Orchestra, Santtu-Matias Rouvali | E Major | 2 | 12B | 89 BPM | ||
Overture For Wind Instruments, Op. 24, MWV P1 (für Harmoniemusik) | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Concerto for String Orchestra: I. Allegro | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | C Major | 2 | 8B | 125 BPM | ||
Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM | ||
Le tombeau de Couperin, M. 68: V. Menuet - Instrumental | Maurice Ravel, Philadelphia Orchestra, Eugene Ormandy | G Major | 1 | 9B | 87 BPM | ||
Violin Concerto, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, John Wilson, RTE Concert Orchestra, Andrew Haveron | G Major | 0 | 9B | 87 BPM |
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