Franz Joseph Haydn, Maddalena Del Gobbo, Robert Bauerstatter, David Pennetzdorfer made "Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 6. Menuet" available on May 1, 2021. With Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 6. Menuet being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 141 in the song's album "Simply Haydn". In this album, this song's track order is #6. The popularity of Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 6. Menuet is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Baryton Trio No.97 in D "Fatto per la felicissima nascita di S:Ai:S Prencipe Estorhazi": 6. Menuet by Franz Joseph Haydn, Maddalena Del Gobbo, Robert Bauerstatter, David Pennetzdorfer having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: III. Sousedská. Allegro giusto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | B♭ Major | 1 | 6B | 77 BPM | ||
12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 12 | Lang Lang | C Major | 2 | 8B | 137 BPM | ||
Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: III. Aria. Larghetto e piano | George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck | E♭ Major | 1 | 5B | 127 BPM | ||
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): I. Larghetto | Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür | C Major | 1 | 8B | 87 BPM | ||
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM |
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