Carole King made "Bitter with the Sweet" available on November 1, 1972. The duration of Bitter with the Sweet is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Bitter with the Sweet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rhymes & Reasons". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Bitter with the Sweet is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bitter with the Sweet by Carole King having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tapestry | Carole King | F Major | 2 | 7B | 67 BPM | ||
All Things Must Pass (2014 Remaster) | George Harrison | E Minor | 2 | 9A | 132 BPM | ||
Way over Yonder | Carole King | F Minor | 3 | 4A | 89 BPM | ||
Come On In | Lady Wray | F Minor | 6 | 4A | 81 BPM | ||
Lotus Blossom | Michael Franks | D♭ Minor | 0 | 12A | 104 BPM | ||
On And On | Stephen Bishop | B Major | 5 | 1B | 102 BPM | ||
Midnight at the Oasis | Maria Muldaur | D♭ Major | 5 | 3B | 99 BPM | ||
(You Make Me Feel Like) A Natural Woman | Carole King | A Major | 2 | 11B | 85 BPM | ||
Weekdays | Carole King | G Major | 2 | 9B | 132 BPM | ||
Baby I'm-a Want You | Bread | A♭ Major | 3 | 4B | 144 BPM |
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