- BPM
- 70
- Key
- F♯ Minor
- Camelot
- 11A
Beau Soir, L.6 - Claude Debussy, Anne-Sophie Mutter, Lambert Orkis Information
- Acousticness
- 94%
- Danceability
- 20%
- Energy
- 3%
- Instrumentalness
- 8%
- Liveness
- 7%
- Loudness
- 49%
- Speechiness
- 6%
- Valence
- 3%
- Popularity
- 5%
- Loudness
- -30.89 dB
Summary
"Beau Soir, L.6" by Claude Debussy, Anne-Sophie Mutter, Lambert Orkis was released on June 6, 2021. The duration of Beau Soir, L.6 is about 3 minutes long, at 3:08. Based on our data, "Beau Soir, L.6" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 45 in Debussy for reading by Claude Debussy. Beau Soir, L.6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Beau Soir, L.6 BPM
The tempo marking of Beau Soir, L.6 by Claude Debussy, Anne-Sophie Mutter, Lambert Orkis is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Beau Soir, L.6 Key
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | |
 | The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 158 BPM | |
 | Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | |
 | Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | |
 | La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | |
 | 2 Arabesques: Arabesque No. 1 | Claude Debussy, François-Joël Thiollier | F♯ Minor | 0 | 11A | 67 BPM | |
 | Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | |
 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | |
 | Suite bergamasque: Clair de lune | Andre Caplet, Claude Debussy, Gustave Cloez, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 68 BPM | |
 | Prelude in G-Flat Major, La Fille Aux Cheveux De Lin | Rik | G Minor | 2 | 6A | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9384100437164307
End: 0.941704511642456