"String Quartet No. 1" by Krzysztof Penderecki, Meccore String Quartet was released on May 5, 2023. String Quartet No. 1 is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Penderecki: Clarinet & String Quartets & String Trio". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. String Quartet No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 1 by Krzysztof Penderecki, Meccore String Quartet having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 "Los Angeles": 1. Con sublimità. Marcando con maestà. Pacato | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | D♭ Major | 5 | 3B | 170 BPM | ||
3 Pieces in Old Style: 1. Aria (arr. for chorus) | Krzysztof Penderecki, Polish Chamber Choir, Jan Łukaszewski | C Major | 2 | 8B | 83 BPM | ||
A Polish Requiem: X. Lacrimosa | Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus | B♭ Major | 0 | 6B | 90 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
A Polish Requiem: II. Kyrie | Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus | D♭ Major | 2 | 3B | 75 BPM | ||
Introduction et Allegro, M. 46 | Lavinia Meijer, Amsterdam Sinfonietta | E♭ Minor | 1 | 2A | 78 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM |
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