Victor Herbert, Iain Sutherland Concert Orchestra, Iain Sutherland made "March of the Toys" available on June 4, 2013. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Iain Sutherland Concert Orchestra, Iain Sutherland's "Manhattan Playboys - American Light Classics" album is number 14 out of 20. Based on our statistics, March of the Toys's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of March of the Toys by Victor Herbert, Iain Sutherland Concert Orchestra, Iain Sutherland to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Koanga / Act 2: La Calinda | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 90 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 78 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Grande Tarentelle, Op. 67, RO 259 | Louis Moreau Gottschalk, Michael Gurt, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | D Minor | 3 | 7A | 82 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): V. Sicilienne - Allegretto molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Minor | 0 | 6A | 98 BPM |
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