"Bachianas Brasileiras No. 9: Fugue: Poco apressado" by Michael Tilson Thomas was released on September 30, 1996. Since Bachianas Brasileiras No. 9: Fugue: Poco apressado is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa Lobos/Alma Brasileira by Michael Tilson Thomas. The song's track number on the album is #12 out of 13 tracks. In terms of popularity, Bachianas Brasileiras No. 9: Fugue: Poco apressado is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas Brasileiras No. 9: Fugue: Poco apressado by Michael Tilson Thomas has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas Brasileiras No. 9: Fugue: Poco apressado being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, San Francisco Symphony, Michael Tilson Thomas | F Minor | 1 | 4A | 132 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Romeo et Juliette, Op. 64 (Excerpts): No. 16, Madrigal | Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony | C Major | 0 | 8B | 71 BPM | ||
Messager: The Two Pigeons, Act 1: Dance of the Two Pigeons | André Messager, Bournemouth Symphony Orchestra, John Lanchbery | A Major | 2 | 11B | 132 BPM | ||
Fontane di Roma (The Fountains of Rome): IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Minor | 0 | 11A | 89 BPM | ||
Carmina Burana: Ecce gratum | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | F Major | 2 | 7B | 84 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM |
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