"String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento" by Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Stephen Shingles, Anthony Jenkins, Denis Vigay was released on January 1, 1979. Since String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Academy of St. Martin in the Fields's "Mendelssohn: Octet; String Quintet No. 2" album is number 7 out of 8. On top of that, Netherlands appears to be the country where this track was created. String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento by Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Stephen Shingles, Anthony Jenkins, Denis Vigay to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Peer Gynt Suite No.1 op. 46 Death of Aase (Andante doloroso) | Academy of St. Martin in the Fields | G Major | 0 | 9B | 109 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Fuga a 3 Soggetti (unfinished) | Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Neil Black, Tess Miller, Celia Nicklin, Cecil James, Kenneth Heath, John Gray, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 118 BPM | ||
Gymnopedie No. 2 | Erik Satie, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | D Minor | 0 | 7A | 76 BPM | ||
Romances, L. 79: Romance No. 1 | Claude Debussy, Luigi Puxeddu, Jolanda Violante | B Minor | 0 | 10A | 66 BPM | ||
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Contrapunctus 1 | Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Kenneth Heath, John Gray, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 1 | 7A | 91 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM |
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