Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te by Wolfgang Amadeus Mozart, Felicity Lott, Franz Welser-Möst, London Philharmonic Orchestra

Song Analysis

Audio information that is featured on Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te by Wolfgang Amadeus Mozart, Felicity Lott, Franz Welser-Möst, London Philharmonic Orchestra.

Acousticness

95%

Energy

5%

Liveness

5%

Speechiness

5%

Danceability

34%

Instrumentalness

0%

Loudness

54%

Valence

26%

Harmonic Matches

Find songs that harmonically matches to Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te by Wolfgang Amadeus Mozart, Felicity Lott, Franz Welser-Möst, London Philharmonic Orchestra. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
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Sonata No. 15 in C Major, I. Allegro by Maria João PiresSonata No. 15 in C Major, I. AllegroMaria João PiresC Major18B136
Die Entführung aus dem Serail by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-PradelliDie Entführung aus dem SerailDame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-PradelliC Major28B119
Orfeo ed Euridice / Act 3: Aria: Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?"Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiC Major28B106
German Dance in G Major, K. 605 by Philharmonia Orchestra, Herbert von KarajanGerman Dance in G Major, K. 605Philharmonia Orchestra, Herbert von KarajanC Major28B77
Concerto for Clarinet and Orchestra No. 1 in F Minor, Op. 73: II. Adagio ma non troppo by Carl Maria von Weber, Fabio Di Casola, Russische Kammerphilharmonie St. Petersburg, Juri GilboConcerto for Clarinet and Orchestra No. 1 in F Minor, Op. 73: II. Adagio ma non troppoCarl Maria von Weber, Fabio Di Casola, Russische Kammerphilharmonie St. Petersburg, Juri GilboC Major08B61
Sonata No. 15 in C Major, III. Rondo by Maria João PiresSonata No. 15 in C Major, III. RondoMaria João PiresC Major28B98
Keyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabile by Franz Joseph Haydn, Viviane ChassotKeyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabileFranz Joseph Haydn, Viviane ChassotC Major08B140
Venita Pur Aventi Act1 Sc5don Giovanni by Riccardo MutiVenita Pur Aventi Act1 Sc5don GiovanniRiccardo MutiC Major28B92
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie by Gioachino Rossini, Marcus Creed, RIAS KammerchorPetite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. KyrieGioachino Rossini, Marcus Creed, RIAS KammerchorC Major38B118
Der Freischütz, J. 277 / Act 2: Der Freischütz, J. 277 / Act 2: "Kommt ein schlanker Bursch gegangen"Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos KleiberC Major28B95
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) by Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello SantiAh! Tardai troppo… O luce di quest anima (from Linda di Chamounix)Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello SantiC Major18B125
Concerto No. 1 in C Major, Hob.VIIh:1 Concerto No. 1 in C Major, Hob.VIIh:1 "Lyra organizzata" (Arr. for Flute, Oboe & Orchestra): I. Allegro con spiritoFranz Joseph Haydn, Ana De La Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge LotsbergC Major18B76
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits by Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo MutiOrfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed SpiritsChristoph Willibald Gluck, Philharmonia Orchestra, Riccardo MutiC Major08B65
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Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo by Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques KantorowKlarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppoCarl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques KantorowC Major08B69
Flute Concerto in A Minor, Wq. 166, H. 431: II. Andante by Carl Philipp Emanuel Bach, András Adorján, Musica Viva Chamber Orchestra, Alexander RudinFlute Concerto in A Minor, Wq. 166, H. 431: II. AndanteCarl Philipp Emanuel Bach, András Adorján, Musica Viva Chamber Orchestra, Alexander RudinC Major08B84
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Sonata No. 8 in A Minor, K. 310 / Allegro maestoso by Alfred BrendelSonata No. 8 in A Minor, K. 310 / Allegro maestosoAlfred BrendelA Minor28A119
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Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te by Wolfgang Amadeus Mozart, Felicity Lott, Franz Welser-Möst, London Philharmonic Orchestra Information

This song is track #26 in #nowplaying Mozart by Wolfgang Amadeus Mozart, Felicity Lott, Franz Welser-Möst, London Philharmonic Orchestra, which has a total of 399 tracks. The duration of this track is 4:58 and was released on May 1, 2021. As of now, this track is currently not as popular as other songs out there. Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te BPM

Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te has a BPM of 119. Since this track has a tempo of 119, the tempo markings of this song would be Moderato (at a moderate speed). Based on the tempo, this track could possibly be a great song to play while you are walking. Overall, we believe that this song has a moderate tempo.

Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te Key

The key of Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te is C Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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