"Amarilli mia bella" by Giulio Caccini, Cecilia Bartoli, György Fischer was released on January 1, 1992. The duration of Amarilli mia bella is about 3 minutes long, at 3:08. Based on our data, "Amarilli mia bella" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 21 in Cecilia Bartoli - Arie Antiche: Se tu m'ami by Cecilia Bartoli, György Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Amarilli mia bella is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Amarilli mia bella by Giulio Caccini, Cecilia Bartoli, György Fischer is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: "Dôme épais" - Live | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 77 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Introit: Requiem aeternam | Wolfgang Amadeus Mozart, Miriam Allan, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Minor | 2 | 5A | 99 BPM | ||
Turandot, Atto III: "Nessun Dorma" | Giacomo Puccini, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 3 | 10B | 82 BPM | ||
Il Trionfo del Tiempo e del Disinganno / Part 2: Lascia la spina | George Frideric Handel, Cecilia Bartoli, Sonatori de la Gioiosa Marca | F Major | 1 | 7B | 107 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Caro mio ben | Tomasso Giordani, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | F Major | 1 | 7B | 85 BPM | ||
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
La Giuditta: Part II: Lullaby: Dormi, o fulmine di guerra (Nutrice) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | D♭ Major | 0 | 3B | 117 BPM |
Section: 0.957179069519043
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