- BPM
- 124
- Key
- F Major
- Camelot
- 7B
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Theme. Allegretto - Ludwig van Beethoven, Adrian Brendel, Alfred Brendel Information
- Acousticness
- 99%
- Danceability
- 68%
- Energy
- 3%
- Instrumentalness
- 96%
- Liveness
- 10%
- Loudness
- 54%
- Speechiness
- 8%
- Valence
- 70%
- Popularity
- 0%
- Loudness
- -27.73 dB
Summary
Ludwig van Beethoven, Adrian Brendel, Alfred Brendel made "12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Theme. Allegretto" available on June 7, 2021. With 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Theme. Allegretto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 24 out of 167 in Beethoven: Classical Summer by Ludwig van Beethoven. Based on our statistics, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Theme. Allegretto's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Theme. Allegretto BPM
The tempo marking of 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Theme. Allegretto by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Theme. Allegretto Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | |
 | 13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) | Robert Schumann, Yuja Wang | F♯ Major | 7 | 2B | 151 BPM | |
 | Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | |
 | 3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | |
 | Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | |
 | Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | |
 | Swan Lake Suite, Op. 20: Scène | London Philharmonic Orchestra | E Minor | 3 | 9A | 77 BPM | |
 | Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.2330501079559326
End: 1.2363080978393555