"Siegfried: Act I - "Prelude"" by Dan Ettinger & The Orchestra of National Theater Mannheim was released on October 23, 2011. With this song being about 5 minutes long, at 5:23, "Siegfried: Act I - "Prelude"" by Dan Ettinger & The Orchestra of National Theater Mannheim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Richard Wagner/Friedmann Dressler: The Symphonic Ring". In this album, this song's track order is #1. Siegfried: Act I - "Prelude" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Siegfried: Act I - "Prelude" by Dan Ettinger & The Orchestra of National Theater Mannheim having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: No. 4, Farandole (Arr. for Solo Violin & String Orchestra by Asahi Matsuoka) - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Georges Bizet, 石田泰尚, 石田組 | D Major | 5 | 10B | 108 BPM | ||
Exploring Myrtana | Kai Rosenkranz | D♭ Major | 1 | 3B | 77 BPM | ||
Symphony No. 14, "Morgenen" (The Morning): II. Upaagtede morgenstjerner (Unnoticed morning stars) | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 2 | 7B | 76 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Dragons d'Alcalo | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Major | 0 | 9B | 108 BPM | ||
Mercure: VII. Bain des Grâces | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Gurrelieder / Pt. 1: 1. Orchestral Prelude | Arnold Schoenberg, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | A♭ Major | 0 | 4B | 120 BPM | ||
Rossini: Guillaume Tell: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 1 | 12B | 152 BPM | ||
Lehengrin Act III: Prelude | Richard Wagner, Maxwell Philharmonic Orchestra | G Major | 3 | 9B | 80 BPM | ||
Suite No.1 from "Namouna": No.1, Prelude. À L.P. De Fourcaud | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
Symphony No. 3 in C Minor, Op. 44: II. Andante | Sergei Prokofiev, Gianandrea Noseda, London Symphony Orchestra | A Minor | 0 | 8A | 66 BPM |
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