"Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße" by Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood was released on June 17, 2022. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 345 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße by Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie | Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach | B♭ Minor | 1 | 3A | 124 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Concerto for 3 Harpsichords, Strings & Continuo No. 2 in C Major, BWV 1064: 2. Adagio | Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, I Solisti Filarmonici Italiani, Federico Guglielmo | D Minor | 2 | 7A | 139 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: V. Gavottes I & II | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 1 | 5A | 74 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |
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