On 2005, the song "Seguiriyas (Avanzado): 1ª Escobilla" was released by Juan María Real, Manuel Salado. The duration of Seguiriyas (Avanzado): 1ª Escobilla is about 3 minutes long, at 3:21. Based on our data, "Seguiriyas (Avanzado): 1ª Escobilla" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 20 in El Baile Flamenco, Vol. 20: Seguiriyas - Tangos de Málaga by Juan María Real. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Seguiriyas (Avanzado): 1ª Escobilla is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Seguiriyas (Avanzado): 1ª Escobilla by Juan María Real, Manuel Salado is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sería el Quererte (Sevillanas) [feat. Antoñita Sevilla & Mari Carmen Altea] | Jarrito y Su Cuadro Flamenco, Antoñita Sevilla, Mari Carmen Altea | F♯ Minor | 7 | 11A | 121 BPM | ||
Verdiales: Cante, Guitarra y Compás | El Trini, Victor M. Rosa, Rafael García, Marcos Flores, Mariló García, Lurdes García | F Minor | 5 | 4A | 91 BPM | ||
Alegrías veleñas | Eugenio González, Niño de Vélez | B♭ Major | 2 | 6B | 74 BPM | ||
De Bonanza a la Caleta (feat. José A. Rodríguez & Manolo Soler) | Eduardo Rodríguez, Jose Rodriguez, Manolo Soler | G Major | 1 | 9B | 175 BPM | ||
"Al-Andalus" | Carlos Mateo | F♯ Minor | 6 | 11A | 115 BPM | ||
Guajiras: 3ª Escobilla | Juan María Real, Manuel Salado | F Major | 5 | 7B | 76 BPM | ||
La Abandoné a Su Suerte (Fandangos) [with Niño Ricardo] | El Sevillano, Niño Ricardo | C Major | 4 | 8B | 140 BPM | ||
Sueño (Fandangos) | David de Arahal, Sandra Carrasco | A Major | 4 | 11B | 143 BPM | ||
A Mi Negra | Antonio de la Malena | D♭ Minor | 6 | 12A | 163 BPM | ||
Atardecer en Córdoba | Eduardo Rodríguez | A Minor | 2 | 8A | 150 BPM |
Section: 0.6043863296508789
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