Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace' came out on July 3, 2020. The duration of Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 29 in Essential Masterpieces of Baroque Music by Sir Neville Marriner, Academy of St. Martin in the Fields. Based on our statistics, Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso, op. 6, No. 7: Vivace-Allegro-Vivace by Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): V. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D♭ Minor | 2 | 12A | 101 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Concerto for 2 Oboes, Strings and Continuo in A minor, R.536: 3. Allegro | Antonio Vivaldi, Celia Nicklin, Barry Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 90 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la Notte di Natale": III. Adagio | Arcangelo Corelli, I Musici, Felix Ayo, Roberto Michelucci, Walter Gallozzi, Anna Maria Cotogni, Carmen Franco, Alfonso Ghedin, Enzo Altobelli, Mario Centurione, Maria Teresa Garatti | E♭ Major | 1 | 5B | 91 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: II. Allegro | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM | ||
La clemenza di Tito, K.621: Overture | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 126 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM |
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