Marie-Ange Todorovitch, Michael Myers, Alain Vernhes, René Schirrer, Jan Rozehnal, Philippe Gerard, Slovak Philharmonic Choir, Orchestre National de Lille, Jean-Claude Casadesus made "La damnation de Faust, Op. 24, Pt. I Scene 3: Hungarian March, "Rákóczy March"" available on May 16, 2006. With this song being about 5 minutes long, at 4:52, "La damnation de Faust, Op. 24, Pt. I Scene 3: Hungarian March, "Rákóczy March"" by Marie-Ange Todorovitch, Michael Myers, Alain Vernhes, René Schirrer, Jan Rozehnal, Philippe Gerard, Slovak Philharmonic Choir, Orchestre National de Lille, Jean-Claude Casadesus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 41 in Berlioz: Damnation De Faust (La) (The Damnation of Faust) by Jean-Claude Casadesus. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, La damnation de Faust, Op. 24, Pt. I Scene 3: Hungarian March, "Rákóczy March" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of La damnation de Faust, Op. 24, Pt. I Scene 3: Hungarian March, "Rákóczy March" by Marie-Ange Todorovitch, Michael Myers, Alain Vernhes, René Schirrer, Jan Rozehnal, Philippe Gerard, Slovak Philharmonic Choir, Orchestre National de Lille, Jean-Claude Casadesus is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Der fliegende Holländer, WWV 63 / Act 3: "Johohoe! Johohoe! Hoe! Hoe!" | Richard Wagner, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Romeo and Juliette, Act II: Adieu mille fois!....Va repose en paix | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Chansons de Miarka, Op. 17: No. 1, Les Morts | Ernest Chausson, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
La forza del destino, Act III, Scene II: Urna fatale del mio destino | Giuseppe Verdi, Simone Piazzola, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Samson et Dalila - Acte I : Un jour, de nous tu détournas ta face (Choeur) | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra Bastille | B Major | 2 | 1B | 175 BPM | ||
La Sonnambula / Act 1: Tutto è gioia, tutto è festa | Vincenzo Bellini, Isobel Buchanan, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 4 | 4B | 86 BPM | ||
Tosca / Act 1: "Or tutto è chiaro..." - "Mario?! Mario?!" | Giacomo Puccini, Ingvar Wixell, Montserrat Caballé, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 3 | 5B | 70 BPM |
Section: 1.1964890956878662
End: 1.2004225254058838