Kurt Weill, Mary Thomas, Meriel Dickinson, London Sinfonietta, David Atherton made "Mahagonny Songspiel / Part 1 - Prologue: 2. Alabama Song: Moderato" available on January 1, 1976. The duration of Mahagonny Songspiel / Part 1 - Prologue: 2. Alabama Song: Moderato is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Mahagonny Songspiel / Part 1 - Prologue: 2. Alabama Song: Moderato's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #10 out of 42 tracks. Based on our statistics, Mahagonny Songspiel / Part 1 - Prologue: 2. Alabama Song: Moderato's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Mahagonny Songspiel / Part 1 - Prologue: 2. Alabama Song: Moderato by Kurt Weill, Mary Thomas, Meriel Dickinson, London Sinfonietta, David Atherton has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Mahagonny Songspiel / Part 1 - Prologue: 2. Alabama Song: Moderato being at 144 BPM, the half-time would be 72 BPM with a double-time of 288 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") | Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg | G Minor | 1 | 6A | 124 BPM | ||
Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") | Kurt Weill, Willy Trenk-Trebitsch, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg | A Minor | 1 | 8A | 72 BPM | ||
First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
Gardel / Arr. Benetti: Volver | Carlos Gardel, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | D Major | 2 | 10B | 104 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Winterreise, D. 911: No. 5 Der Lindenbaum | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E Major | 0 | 12B | 93 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Chamber Orchestra, Raymond Leppard | C Minor | 3 | 5A | 147 BPM |
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