Riccardo Muti made "El Sombrero Des Tres Picos" available on March 3, 2003. El Sombrero Des Tres Picos is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 13 out of 17 in Espana Etc. by Riccardo Muti. In terms of popularity, El Sombrero Des Tres Picos is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of El Sombrero Des Tres Picos by Riccardo Muti is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | F Major | 2 | 7B | 142 BPM | ||
Ballabili per il film "Il Gattopardo" (1963) (revisione a cura di Nicola Scardicchio): 3. Controdanza | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 66 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Rocco e i suoi Fratelli: III. Milano e Nadia | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | C Minor | 2 | 5A | 110 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM |
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