Barbara Hendricks's 'I Could Have Danced All Nightmy Fair Lady' came out on March 3, 2003. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Barbara Hendricks's "la voix du ciel" album is number 18 out of 32. In terms of popularity, I Could Have Danced All Nightmy Fair Lady is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Could Have Danced All Nightmy Fair Lady by Barbara Hendricks to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
His Name So Sweet | Dmitri Alexeev, Barbara Hendricks | D Major | 1 | 10B | 91 BPM | ||
Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Semele, Act II: "Where'er You Walk" | George Frideric Handel, Leontyne Price, Henry Lewis | B♭ Major | 2 | 6B | 131 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | F Major | 2 | 7B | 168 BPM | ||
Mass In C Minor, K.427 "Große Messe" - Rev. And Reconstr. By H.C. Robbins Landon: Gloria: Cum Sancto spiritu | Wolfgang Amadeus Mozart, Barbara Hendricks, Janet Perry, Peter Schreier, Benjamin Luxon, Berliner Philharmoniker, Herbert von Karajan, David Bell, Wiener Singverein | C Major | 3 | 8B | 98 BPM | ||
Partir là-bas (Extrait de "La petite sirène") | Alan Menken, Barbara Hendricks, Jonathan Tunick | G Major | 1 | 9B | 78 BPM |
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