Johann Sebastian Bach, Walter Gieseking made "Prelude And Fugue In G (Well-Tempered Clavier, Book II, No.15), BWV 884" available on May 1, 2021. The duration of Prelude And Fugue In G (Well-Tempered Clavier, Book II, No.15), BWV 884 is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Prelude And Fugue In G (Well-Tempered Clavier, Book II, No.15), BWV 884's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 175 in the song's album "Simply Bach". In this album, this song's track order is #66. In terms of popularity, Prelude And Fugue In G (Well-Tempered Clavier, Book II, No.15), BWV 884 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Prelude And Fugue In G (Well-Tempered Clavier, Book II, No.15), BWV 884 by Johann Sebastian Bach, Walter Gieseking having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | B Minor | 2 | 10A | 117 BPM | ||
Violin Concerto in A Minor, RV 523: II. Largo | Antonio Vivaldi, Dmitry Sinkovsky, Riccardo Minasi, Il Pomo D'oro | C Major | 1 | 8B | 109 BPM | ||
Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: II. Adagio ma non tanto e dolce | Johann Sebastian Bach, Murray Perahia, Kenneth Sillito, Jaime Martin, Academy of St. Martin in the Fields | F Major | 3 | 7B | 127 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM |
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