Sweet Annie Moore - Harry Macdonough Information

Acousticness
76%
Danceability
34%
Energy
25%
Instrumentalness
0%
Liveness
34%
Loudness
76%
Speechiness
10%
Valence
76%
Popularity
Loudness
-14.662 dB

Summary

Harry Macdonough made "Sweet Annie Moore" available on 1901. With Sweet Annie Moore being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Collins's "Greatest Songs & Tunes of 1901" album is number 15 out of 24. On top of that, France appears to be the country where this track was created. The popularity of Sweet Annie Moore is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Sweet Annie Moore BPM

We consider the tempo marking of Sweet Annie Moore by Harry Macdonough to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Sweet Annie Moore Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Smiles by Lambert MurphySmilesLambert MurphyB♭ Major16B74 BPM
Come Where My Love Lies Dreaming by Stephen Foster, Harry Macdonough, Lambert Murphy, John McCormack, Reinald Werrenrath, Studio OrchestraCome Where My Love Lies DreamingStephen Foster, Harry Macdonough, Lambert Murphy, John McCormack, Reinald Werrenrath, Studio OrchestraG Minor66A108 BPM
Alone with My Dreams by Jack BuchananAlone with My DreamsJack BuchananG Major29B127 BPM
Roll Along Prairie Moon by Roy Fox & His BandRoll Along Prairie MoonRoy Fox & His BandA♭ Major14B121 BPM
The Paleface: Paleface: Buttons and Bows by Jay Livingston, Bob Hope, The Clark SistersThe Paleface: Paleface: Buttons and BowsJay Livingston, Bob Hope, The Clark SistersC Minor25A73 BPM
I'm the Last of the Red Hot Mammas by Sophie TuckerI'm the Last of the Red Hot MammasSophie TuckerE Minor29A163 BPM
Gone With the Wind by Horace Heidt & His Musical Knights, Larry CottonGone With the WindHorace Heidt & His Musical Knights, Larry CottonE♭ Major25B140 BPM
The Horse with the Easter Bonnet by The Golden OrchestraThe Horse with the Easter BonnetThe Golden OrchestraA♭ Major54B130 BPM
You Said Something (Victor 18260B) [From Have a Heart] [Recorded 1917] by Olive Kline, Harry MacdonoughYou Said Something (Victor 18260B) [From Have a Heart] [Recorded 1917]Olive Kline, Harry MacdonoughE Major112B83 BPM
Beyond The Blue Horizon by Jeanette MacDonald, Nelson EddyBeyond The Blue HorizonJeanette MacDonald, Nelson EddyB♭ Major36B78 BPM
ISRC
FR0O70885230
Label
L-M Records/RCA Records

Section: 0.74263596534729

End: 0.746452808380127