Peter Schmalfuss's '12 Pieces for Piano, op. 40: II. Chanson triste' came out on 1992. The duration of 12 Pieces for Piano, op. 40: II. Chanson triste is about 3 minutes long, at 3:22. Based on our data, "12 Pieces for Piano, op. 40: II. Chanson triste" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 76 in the song's album "Peter Iljitsch Tchaikovsky - Symphonien, Balletmusiken, Konzerte". In this album, this song's track order is #19. Based on our statistics, 12 Pieces for Piano, op. 40: II. Chanson triste's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Pieces for Piano, op. 40: II. Chanson triste by Peter Schmalfuss having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Byron Janis, Minnesota Orchestra, Antal Doráti | C Minor | 1 | 5A | 73 BPM | ||
4 Impromptus, Op. 142, D. 935: Impromptu No. 3 in B-Flat Major | Franz Schubert, Jenő Jandó | B♭ Major | 1 | 6B | 65 BPM | ||
Tango (arr. Godowsky) | Isaac Albéniz, Moura Lympany | D Major | 0 | 10B | 69 BPM | ||
Elégie, Op. 24 | Gabriel Fauré, Julian Lloyd Webber, English Chamber Orchestra, Yan Pascal Tortelier | A♭ Major | 0 | 4B | 84 BPM | ||
Keyboard Sonata in C-Sharp Minor, K.246/L.260/P.296: Allegro | Domenico Scarlatti, Yevgeny Sudbin | C Minor | 1 | 5A | 113 BPM | ||
Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | ||
Etude, op. 10/5, Ges-Dur: Vivace | Peter Schmalfuss | B♭ Major | 2 | 6B | 97 BPM | ||
Six Songs, Op. 34: II. Auf den Flügeln des Gesanges, MWV K86 | Felix Mendelssohn, Daniel Hope, Sebastian Knauer | A♭ Major | 0 | 4B | 58 BPM | ||
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin | Claude Debussy, Peter Frankl | G Minor | 0 | 6A | 117 BPM |
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