"An der schönen, blauen Donau, Op. 314" by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker was released on January 8, 2022. An der schönen, blauen Donau, Op. 314 appears to be safe for all ages as it is not explicit. There are a total of 25 in the song's album "O Fortuna: Epic Classical". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, An der schönen, blauen Donau, Op. 314 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An der schönen, blauen Donau, Op. 314 by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 1 in E major, Op. 8, RV 269, "La primavera" (Spring): I. Allegro | Antonio Vivaldi, Alberto Lizzio, Musici di San Marco | E Major | 1 | 12B | 96 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Egyptischer Marsch, Op. 335 | Johann Strauss II, Anima Eterna, Jos Van Immerseel | E Minor | 2 | 9A | 182 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
The Tale Of Tsar Saltan - Arr. Grigory Feygin: The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | A Major | 3 | 11B | 92 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM |
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