"Cadenza on the Night Plain: Cadenza: Viola" by Terry Riley, Kronos Quartet was released on June 16, 2015. The duration of Cadenza on the Night Plain: Cadenza: Viola is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Cadenza on the Night Plain: Cadenza: Viola's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Sunrise of the Planetary Dream Collector". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Cadenza on the Night Plain: Cadenza: Viola is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cadenza on the Night Plain: Cadenza: Viola by Terry Riley, Kronos Quartet having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sinking of the Titanic: 11. Coda | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 87 BPM | ||
Wild Grass II (for Robert Wyatt) | Arp, Anthony Moore | B♭ Major | 2 | 6B | 76 BPM | ||
Electric Counterpoint: III. Fast | Steve Reich, Pat Metheny | G Major | 3 | 9B | 128 BPM | ||
Nature Piece 4 | Morton Feldman, Sabine Liebner | D♭ Major | 1 | 3B | 69 BPM | ||
Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 68 BPM | ||
Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
Carbon Date | Ernst Reijseger, Nederlands Kammerkoor | G Minor | 2 | 6A | 90 BPM | ||
Cells 35-41 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 110 BPM | ||
Cadenza on the Night Plain: Introduction | Terry Riley, Kronos Quartet | D Major | 0 | 10B | 90 BPM | ||
Drums | Laurie Spiegel | B Minor | 4 | 10A | 160 BPM |
Section: 0.699221134185791
End: 0.7027082443237305