"Symphony No. 9 in E minor 'From the New World' B178 (Op. 95) (2001 Digital Remaster): II. Largo" by Riccardo Muti, New Philharmonia Orchestra was released on 2001. Symphony No. 9 in E minor 'From the New World' B178 (Op. 95) (2001 Digital Remaster): II. Largo appears to be safe for all ages as it is not explicit. The song is number 2 out of 5 in Dvorak: Sinfonie Nr. 9 Aus der Neuen Welt/Tschaikowsky: Romeo und Julia - Ouvertüre by Riccardo Muti. Symphony No. 9 in E minor 'From the New World' B178 (Op. 95) (2001 Digital Remaster): II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in E minor 'From the New World' B178 (Op. 95) (2001 Digital Remaster): II. Largo by Riccardo Muti, New Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gazza ladra: Sinfonia | Gioachino Rossini, Virtuosi Brunensis, Alberto Zedda | E Major | 2 | 12B | 93 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Schubert: Symphony No. 1 in D Major, D. 82: III. Menuetto (Allegro) - Trio | Franz Schubert, Riccardo Muti, Wiener Philharmoniker | D Major | 0 | 10B | 98 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: XI. Gloria (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 97 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM |
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