"Ave Maria D'Apres Le 1er Prelude De Bach" by Barbara Hendricks was released on March 3, 2003. The duration of Ave Maria D'Apres Le 1er Prelude De Bach is about 3 minutes long, at 3:17. Based on our data, "Ave Maria D'Apres Le 1er Prelude De Bach" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Barbara Hendricks's "la voix du ciel" album is number 1 out of 32. In terms of popularity, Ave Maria D'Apres Le 1er Prelude De Bach is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria D'Apres Le 1er Prelude De Bach by Barbara Hendricks to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Messa di Gloria: XVI. Agnus Dei qui tollis peccata mundi | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano, Roberto Alagna, Thomas Hampson | C Major | 1 | 8B | 136 BPM | ||
Bach, JS: Ich habe genug, BWV 82: No. 4, Rezitativ. "Mein Gott! Wenn kömmt das schöne? Nun!" | Johann Sebastian Bach, Barbara Hendricks, Peter Schreier, Carl Philipp Emanuel Bach Chamber Orchestra | G Major | 1 | 9B | 178 BPM | ||
Schubert: 2 Lieder, Op. 43: No. 2, Nacht und Träume, D. 827 | Franz Schubert, Barbara Hendricks, Radu Lupu | A Major | 1 | 11B | 102 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Rossini: Stabat Mater: VIII. Inflammatus et accensus (Soprano, Chorus) | Gioachino Rossini, Barbara Hendricks, Eric Ericson, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 76 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Vieni, cara Susanna" - "Quanto duolmi, Susanna" | Wolfgang Amadeus Mozart, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 145 BPM |
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