"Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song)" by Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk was released on January 11, 1994. Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Edvard Grieg's "Grieg: Peer Gynt / Lyric Pieces / Sigurd Jorsalfar" album is number 8 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) by Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk to be Lento (slowly) because the track has a tempo of 50 BPM, a half-time of 25BPM, and a double-time of 100 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Concerto No. 2 in F Major, Op. 102 (Version for Piano Duet): II. Andante | Dmitri Shostakovich, Min Kyung Kim, Hyung Jin Moon | C Minor | 0 | 5A | 179 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
The Legend Of Wallace | BBC Scottish Symphony Orchestra | D Minor | 1 | 7A | 85 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Berceuse for Small Orchestra (1904) | Armas Järnefelt, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Minor | 0 | 6A | 116 BPM | ||
Klaviersolo in A Major, WoO 10: Barcarolle | Sylvia Capova | F♯ Minor | 0 | 11A | 77 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S.244/2 (Arr. Horowitz) | Franz Liszt, Lang Lang | C Minor | 4 | 5A | 110 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM |
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