"Otello: Dio! Mi potevi scagliar (Monologue)" by Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel, Plácido Domingo was released on 2004. With this song being about 5 minutes long, at 4:40, "Otello: Dio! Mi potevi scagliar (Monologue)" by Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel, Plácido Domingo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Opera Classics, so we believe that "Otello: Dio! Mi potevi scagliar (Monologue)" is a single. Otello: Dio! Mi potevi scagliar (Monologue) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Otello: Dio! Mi potevi scagliar (Monologue) by Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel, Plácido Domingo is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | E Minor | 1 | 9A | 69 BPM | ||
12 Songs, Op. 21: 7. Zdes' khorosho | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | B♭ Major | 2 | 6B | 130 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
"Languir per una bella" from L'Italiana in Algeri | Ramón Vargas, English Chamber Orchestra, Marcello Viotti | E♭ Major | 2 | 5B | 93 BPM |
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